Littleton Museum offers visitors a unique link between the past and present. Located on 40 acres adjacent to Ketring Lake, the museum encompasses three exhibition galleries, a children's interactive gallery, research center, and two 19th-century living history farm sites.
The Permanent Gallery exhibits a comprehensive historical look at Littleton from pre-history to the present through graphics, photography, and artifacts from the museum's collections. The Fine Arts Gallery hosts original art and photography exhibits sponsored by the Littleton Fine Arts Board. The Changing Gallery displays temporary and traveling exhibits from the Smithsonian Institution, other museums, and the Littleton Museum Collections.
Littleton: Spirit of Community
This permanent exhibit depicts, through artifacts and text, the "Littleton Story" from its early beginnings to the present.
The Way We Played
Exhibit dates: September 13, 2019 to January 3, 2021
The Littleton Museum is excited to present the exhibition The Way We Played. Inspired by nostalgia, this is a toy exhibit for all ages. Featuring artifacts from the Littleton Museum collection, as well as objects on loan, the exhibit prompts visitors to consider the ways that they engaged with different types of toys as a child. The interactive stations included in the exhibit assist in the nostalgic experience through sensory engagement. There is even a memory share station where visitors can read other community members’ stories about their favorite toys from childhood, and in turn leave their message about the way they played. The museum has produced a video about this exhibit.
per·spec·tives: Best of Show exhibition featuring artwork by Gabrielle Graves and Courtney Cotton
Exhibit dates: May 22 – July 19, 2020
The Littleton Museum presents the artwork of Gabrielle Graves and Courtney Cotton, 2019 winners of the Eye of the Camera and Own an Original exhibits, respectively.
While both of the artists’ current body of work focuses on the idea of "perspectives," each artist approaches it with her own unique emphasis and skillset. Cotton’s conceptual painting is meant to bring awareness to mental wellness and emotional intelligence by using visual metaphors and color to embody concepts such as transformation, and possibility. Graves explores the complex narrative of identity and its intersection with consumption and mental health. Her process employs photography, painting, video, and installation to create intimate experiences revolving around changing landscapes and internal dialogue.
Gabrielle Graves received her B.A. in Psychology with a minor in Art & Design from the University of Michigan in April 2017. Shortly after graduating, Gabrielle moved to Snowmass Village, CO to work in the Photography & New Media and Painting departments at the internationally known Anderson Ranch Arts Center. She has also worked as a studio assistant for Isa Catto Studio. Her work has been featured in group exhibitions such as the Patton-Mallott Gallery at Anderson Ranch and the Littleton Museum, and she has collaborated with other artists to create installations such as DECONSCIOUSNESS: Three Levels of Consciousness, which was shown at the Stamps School of Art & Design in 2017. Gabrielle’s practice employs photography, painting, installation, and writing to divulge honest articulations of the psychological space. She is inspired by relationships and forms of identity.
Courtney Cotton is a Denver-based visual artist who is unafraid to express herself by giving visual expression to feeling, which can be seen in many of her paintings and collages. Other inspiration stems from music, mindfulness, and objects that give her a visceral reaction. Whatever the impulse, the result is the fruition of a process, usually grounded in personal discipline that may be spontaneous and rapid or labored and introspective. What transpires, ideally captures the inspiration and transforms it into an exuberant explosion or a contemplative and solemn stillness.
Her work sometimes poses more questions than answers, but it offers room for interpretation and new perspectives. It connects to something universal and hence touches a lot of people. Cotton says, "I have more than one visual voice and some find it hard to define or categorize my style." Sometimes her work is thematic, but just as often she has the impulse to create something without representing anything. Some of her favorite pieces just came about from the act of playing with paint and paper. She explains, "I consciously react with the medium, the activity of creating is paramount, and therefore the results happen automatically with the unconscious influence of experiences and emotions."
Cotton studied art and architecture at the University of South Carolina, Rhode Island School of Design, and Queens College.
Vibrant Bounty: Chinese Folk Art from the Shaanxi Region
August 14 – October 18, 2020
As brilliant as the petals of a lotus and as bold as a spring storm, the folk paintings and artifacts of rural China reveal a national spirit that is as charming as it is vital. The artifacts in Vibrant Bounty reveal a humanity that aids us in understanding a people half a world away. By depicting scenes of labor within lavish pastoral settings, the paintings celebrate the farmers’ unity amidst the immensity of nature.
Vibrant Bounty: Chinese Folk Art from the Shaanxi Region invites visitors on a journey through Shaanxi Province, one of the cradles of Chinese civilization. The capital city, Xi’an, was once the Eastern terminus of the Silk Road, and is famous for its ancient ruins, most notably the Mausoleum of Qin Shi Huang and his Terracotta Army. In an area outside of the city’s center lies Huxian (or Hu) County, where, since the 1950s, local artists have been producing objects similar to the twenty-five paintings and fourteen objects found in Vibrant Bounty. This tradition has achieved great renown in China, culminating in the state Ministry of Culture awarding Huxian the honorary title of a “Village of Chinese Modern Folk Painting” in 1988.
These peasant, or farmer, paintings are closely related to the traditional Chinese arts of embroidery, batik (a fabric dyeing method), paper-cut, and wall painting. The artists use shui fen (paint powder and water—similar to gouache or tempera) on thick paper to create the paintings. While Huxian peasant paintings depict ordinary aspects of people’s lives, the vibrant colors emanate from an animated atmosphere, and are only enriched by frequent hyperbole and moral connotations. Festivals, parades, the harvest, music, village traditions, farm animals, winter, kitchen work, and children are all celebrated in these paintings.
The artifacts included in this collection expose us further to Chinese rural life and they show, in detail, traditional Shaanxi customs. They range from children’s clothing and toys to New Year’s prints and decorative household items, often embroidered with lucky figures and animals. Not only are they carefully handmade and beautiful, they also hold symbolic wishes for good luck, good marriage, and good health.
Both the art and the objects featured in this exhibition introduce us to a region of China, which like the American Midwest, is dominated by agriculture and populated with working people. Through these peasant paintings and the artifacts which accompany them, we gain a greater understanding of the customs and culture of people who, despite great distances, share with us essential similarities.
This exhibit is curated by America Meredith, Cherokee Nation artist and arts writer.
Own an Original (theme – Liberating Humor)
November 20, 2020 – January 3, 2021
The City of Littleton Fine Arts Board proudly presents the 55th Annual Own an Original art competition at the Littleton Museum. Open to Colorado artists, the competition is for any art medium except photography. This year’s theme is “Liberating Humor” and the juror is TBD.
Eye of the Camera: Artificial vs. Natural
Artificial is something made by humans, or an imitation or substitute for something natural. Natural is what is produced or arising from nature, or the world without human impact. The tension between artificial and natural is experienced by humans and animals on a daily basis. This year’s juror for the exhibition is Angela Faris Belt, a visual artist who works with photographic processes ranging from historical to digital. She is particularly suited to the theme as she creates artwork that centers on humankind’s relationship with the natural world and combines specific media to underscore the concepts behind each body of work. Her images are exhibited nationally and abroad and held in many corporate and private collections. She is Program Chair for the Studio Art and Art History programs at Arapahoe Community College, where she teaches darkroom and digital photography. Angela is author of The Elements of Photography: Understanding and Creating Sophisticated Images, a textbook that centers on making meaningful images by integrating photography’s technical aspects with concepts and aesthetics. Angela is represented by Michael Warren Contemporary in Denver, Colorado. More information and images can be viewed at www.angelafarisbelt.com.
This year's exhibit features the artwork of 43 artists. Awards were given for Best of Show, First Place, and Second Place, with $2,400.00 in total prizes. The winner of Best of Show was invited to participate in a two-person Best of Show exhibit at the Museum in 2021.
Opening Outward: Sculpture by Jeff Glode Wise
January 24 – March 1, 2020
Wise’s sculpture is rooted in balance, with great respect for materials and their inherent textures. Bases of concrete and wood suggest earthbound elements, while forged bronze and gold plating suggest the fluid motion of the heavens. He interprets visual gestures found in nature and astronomy, from swirling galaxies and the rhythmic movement of birds and fish to the human figure and spirit. In short, he attempts to “elude the grasp of gravity, allowing rocks to float and metal to flow like water.”
In Opening Outward, Wise has gathered some of his works that best reflect his journey of imagination. With a range of interests, the selected works illustrate a pathway of exploration, experimentation, and discovery.
54th Annual Own an Original: Destination
Exhibit dates: November 22 to December 29, 2019
The City of Littleton Fine Arts Board proudly presents the 54th Annual Own an Original art competition. Open to Colorado artists, the competition is for any art medium except photography. This year’s exhibition explores the concept of “destination.” In recent years, American culture has idealized the saying, “it’s the journey, not the destination.” A destination is really the end for which someone or something is going or sent. With so much focus on the journey, has the end point lost its meaning? What if the reason or objective of the journey held more value than the voyage itself?
This year’s theme of “Destination” will be juried by Gwen Chanzit, Curator Emerita of Modern Art and the Herbert Bayer Collection and Archive at the Denver Art Museum. Over her 36-plus years at the Denver Art Museum, Dr. Chanzit organized more than 30 exhibitions, including over a dozen on Bauhaus artist Herbert Bayer. She is regarded as the world expert on Herbert Bayer; and has published several books highlighting Bayer’s wide-ranging artistic contributions.
- Best of Show ($1,000 & 2020 joint exhibit) - Courtney Cotton, Landing, 2019, Acrylic on canvas
- First Place ($500) - Pat Finley, Dreaming of Africa, 2019, Acrylic & Resin
- Second Place ($250) - Linda O’Neill, Beyond Ordinary Limits, 2019, Acrylic, acrylic paint pen, collage, caran d’ache crayon
- Third Place ($100) - Olga & Aleksy Ivanov, Wishbone, 2018, Oil
- Honorable Mention #1 - William Rohs, Wonder of the Other Side, 2019, Acrylic and charcoal on panel
- Honorable Mention #2 - Katherine Walter, Floating the Arkansas, 2019, Acrylic on linen canvas
- Honorable Mention #3 - Barbara Veatch, Migration of Equus Ferus Caballus, 2018, Pastels, charcoal, acrylic ink & collage
Within and Without: Works by Nathan Abels
Exhibit dates: September 20 to October 27, 2019
Winner of the 2018 Littleton Fine Arts Board Own an Original competition, Nathan Abels brings his distinctly enigmatic style of pencil drawings and oil and acrylic paintings to the Littleton Museum.
The Littleton Museum is proud to present Within and Without, an exhibition of artwork by Nathan Abels. In a series of paintings and drawings, Abels depicts a speculative future after climate change. Residents of this future world have chosen to either try to leave the planet, or to withdraw from the larger remaining culture. The success of those who have migrated away from the planet is doubtful, but the desire to leave is understandable. Alternatively, is the withdrawal from culture creating a sort of “monastic option.” The hermits and solitary people in these works are neither heroes, nor are they doomsday preppers. Instead, they are changing the depth of the remaining culture, not the direction of it.
Play of Light: Works by Jane Guthridge
Exhibit dates: June 28 to August 25, 2019
Inspired by the brilliance of Colorado’s sunshine, Jane Guthridge succeeds in manipulating thin, layered materials and altering the directionality of light. Playing with the very nature of light, she manages to capture the intangible by copying shapes made by natural dappled sunlight and shadows, then abstracting those compositions. Whether suspended, layered, or reflected, the “light forms” she creates evoke familiar visions of a moment in nature.
Over the Top: Selling the First World War to a Nation Divided
Exhibit dates: July 27, 2018 through June 2, 2019
Prior to entering the war in 1917, many Americans were against joining the conflict in Europe. A series of dramatic events, including the sinking of the HMS Lusitania, prompted President Wilson to ask Congress for a declaration of war. Within days, the US government mounted the largest propaganda campaign ever seen. Its goal was to convince the American people that survival of the nation and democracy depended upon entering and winning the First World War.
Using images and artifacts from the Littleton Museum's collection, visitors are invited to experience and learn about forms of propaganda and how it was used in World War I.
Eye of the Camera - Best of Show
Exhibit dates: April 19 through June 2, 2019
Photography exhibit featuring the work of 2018's Eye of the Camera Best of Show winners Karen Kirkpatrick and J. R. Schnelzer
Eye of the Camera - EVOKE
Exhibition Dates: February 22 – March 24, 2019
The City of Littleton Fine Arts Board proudly presents the 53rd Annual Eye of the Camera photography competition. Open to Colorado photographers, the competition explores the concept of “Evoke.”
This year’s competition was juried by Gary Emerich, a fine art photographer, who has exhibited regionally and nationally, and is represented by Robischon Gallery in Denver. All of the pieces in the exhibit are available for purchase.
- Best of Show - Gabrielle Graves, A Temporary Martyr
- 1st Place - Devin Johnson, Healing Process: Privacy; Shinjuku Crosswalk
- 2nd Place - Steffany Wing, Youth Won't Stop
- Honorable Mention - Robert Hyatt, Imagined Landscape No. 115
- Honorable Mention - Peter York, Unity